Bommer Plumbing — “You See Exactly What We See”

Built entirely in Higgsfield · 16:9 · 42s · review only, nothing sent to the client

THE AD

1920×1080 · 42.0s · −14.2 LUFS · 167 of 200 credits

WHAT EACH SHOT USED

Shot	Engine	The cinematic call	cr
Sink, 0–7s	Cinema Studio 3.5	intimate_observer · window light · naturalistic grade · drama	35
Cleanout, 7–13s	Kling 3.0 pro	native 1920×1080, sound off (we dub)	10.5
Pipe POV + roots, 13–21s	Seedance 2.0 std 720p	high bitrate (free) · the hero shot	36
The monitor, 21–29s	Cinema Studio 3.5	same camera/light/grade as the opener, for continuity	40
The van, 29–36s	certified still + push	a branded vehicle is never animated — text cannot drift	0
Endcard, 36–42s	the accepted card	reused from the approved cut	0

Internal scene cuts: detected at 7 / 13 / 21 / 29 / 36 only — exactly the intended edit points. No hidden cuts inside any generated clip.
No freezes, no flicker, no black frames.
Every caption verified rendered on screen (not merely requested).
Van decals verified character-by-character against the real van: 856 / 783-6721 / 429-4054 / 582-2020 / www.wrbommer.com.
Loudness −14.2 LUFS, true peak −1.2 dBTP.
Two shots were re-rolled before this cut: the first sink take had a clean empty basin, and the first cleanout take had no cleanout in it.

The opening sink shot is the weakest beat — the standing water is there with debris, but it is subtle rather than dramatic. 33 credits are left if you want it re-rolled.
In the monitor shot there is a third figure in the bottom-right foreground. At speed it reads as a shoulder; worth your eye.
Claim discipline held: no prices, no dates, no response-time promises, membership stated only as “ask about”.